
Ellen Craft used racial passing to accomplish something extraordinary: escape from slavery. In December 1848, she left Macon, Georgia, with her husband, William, while disguised as a wealthy, ailing white man. William traveled as her supposed enslaved servant. Her disguise crossed both racial and gender boundaries, exploiting the authority that white men possessed in a society that denied her freedom. Bandages and other elements of the disguise helped her avoid situations that might expose their plan. nps.gov
Craft’s experience demonstrates why passing cannot automatically be interpreted as embarrassment about Black ancestry. Her immediate objective was liberation, and she later became an abolitionist who publicly challenged slavery. Temporarily appearing white allowed her to move through a transportation system that otherwise would have treated her as someone else’s property. Her story exposes the cruelty and instability of racial classification: the same woman whom slavery rendered powerless received deference when strangers believed she was a white gentleman. nps.gov
Harriet Hemings, the daughter of Sally Hemings and Thomas Jefferson, entered white society after leaving Monticello in 1822. Born enslaved despite her presidential parentage, she lived within a system in which a child’s enslaved status followed that of the mother. Monticello’s historical account identifies her as one of the Hemings children who crossed the color line. Her brother Madison later reported that she lived as a white woman in the Washington area. Harriet Hemings
Much of Harriet’s later life remains unknown, which makes her history especially revealing. According to Madison’s recollections, she married a white man, and her identity as Harriet Hemings remained concealed. Historians must distinguish this family testimony from independently verified details about her subsequent household. Nevertheless, her disappearance from the identifiable historical record illustrates a consequence of successful passing: freedom and social protection could come with the loss of a publicly traceable connection to one’s family. Encyclopedia Virginia
Anita Florence Hemmings attended Vassar College while passing as white and graduated in 1897. An investigation initiated by her roommate’s family exposed her African American background shortly before graduation. Vassar nevertheless permitted her to receive her degree. Her achievement demonstrates how racial exclusion could require a qualified student to conceal her ancestry to obtain an elite education. Vassar, the Alumnae/i Quarterly
Hemmings later married physician Andrew Jackson Love, who also passed as white, and the couple lived as white in Manhattan. Her story raises a fundamental question about educational opportunity: why should ancestry have threatened recognition of work she had already successfully completed? Her academic accomplishments existed before the investigation; what changed was how others classified her. Vassar, the Alumnae/i Quarterly
Ellen Love, Anita Hemmings’s daughter, also attended Vassar while passing as white. Her experience reveals how passing could become a family practice transmitted across generations. Vassar’s historical accounts connect the mother’s concealed ancestry with the daughter’s later enrollment, showing that access to the same institution remained entangled with racial identity decades later. Vassar, the Alumnae/i Quarterly
Ellen’s inclusion requires attention to the difference between inheriting a concealed family history and independently initiating that concealment. Children raised within a white identity did not necessarily begin with full knowledge of their ancestry. Her experience therefore complicates the assumption that passing always began with a single, fully informed adult decision. Sometimes it was an identity established by parents and sustained through institutions. Vassar, the Alumnae/i Quarterly
Belle da Costa Greene became a distinguished librarian, manuscript expert, and the first director of the Morgan Library while living publicly as white. Born Belle Marion Greener, she was the daughter of African American parents, including Richard T. Greener, Harvard College’s first Black graduate. After her parents separated, her mother changed the family surname, and Belle entered a professional life in which her Black ancestry remained concealed. The Morgan Library & Museum
Greene’s accomplishments helped shape a major cultural institution, but surviving evidence does not permit historians to confidently reconstruct her private feelings about passing. The Morgan notes that she destroyed diaries and personal papers, leaving significant gaps. It would therefore be misleading to assign her a simple motive such as shame or ambition alone. Her life instead invites examination of how racism restricted who could openly occupy positions of cultural authority. themorgan.org
Genevieve Ida Fleet Greener, Belle’s mother, subsequently lived as Genevieve Van Vliet Greene. The Morgan Library documents her role in changing the family’s surname and establishing its white public identity after her separation from Richard Greener. Her history deserves recognition independently of her famous daughter because the family’s crossing of the color line involved decisions about motherhood, social standing, and the opportunities available to her children. The Morgan Library & Museum
Genevieve’s story reveals that passing could involve an entire household rather than one isolated individual. A changed surname, altered public associations, and the assumptions of acquaintances could help sustain a different racial identity. The surviving photograph discussed by the Morgan also illustrates the role of colorism in making such movement possible. These circumstances show how access to white privilege depended partly on appearance and social recognition rather than any consistent biological boundary. The Morgan Library & Museum
Elsie Roxborough, a University of Michigan graduate and Detroit socialite, began passing as white in pursuit of a modeling career. She eventually lived in New York under the name Mona Manet. Historian Allyson Hobbs examines her experience as an example of the opportunities and personal losses associated with crossing the color line. magprod1.uchicago.edu
Roxborough’s story illustrates how professional reinvention could complicate family belonging. After her death in 1949, her light-skinned sister and aunt claimed her body without disrupting her white public identity. This episode suggests how secrecy could extend beyond a person’s lifetime. The historical record supports examining these pressures, but it does not justify reducing her death to a single presumed cause. magprod1.uchicago.edu
Thyra Johnston passed as white alongside her husband, physician Albert Johnston, while their family lived in New Hampshire. Their concealed ancestry enabled Albert to obtain professional opportunities unavailable to him as a Black doctor. Their children initially grew up believing that the family was white. magprod1.uchicago.edu
Thyra’s experience demonstrates how employment discrimination could reshape a household’s identity. The family’s circumstances affected children as well as parents, making passing a matter of inherited knowledge and silence. Their history reveals how the benefits of professional access could coexist with the difficulty of eventually explaining concealed ancestry to another generation. magprod1.uchicago.edu
Mary Church Terrell belongs in this discussion as an example of temporary, situational passing rather than a woman who permanently lived as white. A prominent Black civil rights advocate, she described an occasion when she and several companions passed as white to attend a theatrical performance. Scholarship citing her autobiography documents this episode. Her public identification with Black communities remained central to her life and activism. Get Access
Terrell’s example challenges the idea that passing necessarily required abandoning Black identity. In particular circumstances, appearing white could become a means of circumventing an exclusionary rule. Her experience also reveals the contradictions of segregation: an institution’s treatment of a patron could depend on what its employees assumed about her appearance. Temporary access did not remove the discriminatory structure that made such maneuvering necessary. Get Access
June Cross represents another important distinction: a Black woman whose experience of passing occurred during early childhood, under circumstances controlled by adults. Born to a white mother and a Black father, she initially remained within her mother’s household. Accounts of her memoir explain that her mother sent her to live with Black family friends when, at about four years old, she could no longer pass as white. This was not an adult decision by Cross to conceal her identity. PenguinRandomHouse.com: Books
Cross later examined this family history in her documentary and memoir, Secret Daughter. Her story expands the discussion beyond deliberate adult passing to include children whose acceptance within white households depended on appearance and secrecy. Taken together, these ten lives encompass escape, educational access, professional opportunity, temporary boundary crossing, and identities imposed during childhood. Their differences matter: understanding passing requires attention to the individual woman, the available evidence, and the racial conditions surrounding her life. Women’s Media Center
References
- Craft, William. Running a Thousand Miles for Freedom; or, The Escape of William and Ellen Craft from Slavery. William Tweedie, 1860.
- Cross, June. Secret Daughter: A Mixed-Race Daughter and the Mother Who Gave Her Away. Viking, 2006.
- Hemings, Madison. “Life Among the Lowly, No. 1.” Pike County Republican, March 13, 1873. Reproduced by Encyclopedia Virginia.
- Hobbs, Allyson. A Chosen Exile: A History of Racial Passing in American Life. Harvard University Press, 2014.
- Mancini, Olivia. “Passing as White: Anita Hemmings 1897.” Vassar Quarterly.
- National Park Service. “Ellen Craft” and “‘A Desperate Leap for Liberty’: The Escape of William and Ellen Craft.”
- Terrell, Mary Church. A Colored Woman in a White World. Ransdell, 1940.
- The Morgan Library & Museum. Belle da Costa Greene: A Librarian’s Legacy, including “The Only Known Photograph of Genevieve Greene, Belle’s Mother.”
- Thomas Jefferson Foundation. “Harriet Hemings.” Monticello Encyclopedia.
- Vassar College. “Anita Hemmings.” Passing Beyond Passing.



















